Galerie Lelong
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Art fairs
  • News
  • Events
  • Gallery
  • Paris
Menu
Chris Watts: Integration
Galerie Lelong Exhibitions, 4 April - 4 May 2024

Chris Watts: Integration

Past exhibition
  • WORKS
  • Installation Images
  • Opening Thursday, April 4, 2024, 6:00pm – 8:00pm Galerie Lelong & Co., New York is pleased to present Integration, a...
    Chris Watts, The Spirits That Lend Strength Are Invisible XXXVII, 2024
    Peruvian pigments, poly-chiffon, resin, acrylic
    76 x 64 in (193 x 162.6 cm)
    (GL16339)

    Opening Thursday, April 4, 2024, 6:00pm – 8:00pm

    Galerie Lelong & Co., New York is pleased to present Integration, a solo exhibition of works by Chris Watts, his first at the gallery. Drawing upon four of the artist’s ongoing series, the exhibition highlights Watts’s practice of creating spaces for introspection, remembrance, and meditation through his use of abstraction, transparency, and subtle subversions of art historical conventions. Referencing the concept of integration as it relates to psychedelic therapies, Watts investigates how the Afro-Indigenous cosmologies of these undefinable yet universal spaces can be internalized to better understand the physical world.

    Paintings from the artist’s series The Spirits That Lend Strength Are Invisible interplay transparency and color as an exploration of sacred meditative sites. The fluid fields of color in these paintings are created using only natural pigments gifted to the artist by a Peruvian shaman. Their mercurial reactions to elements like water and oxygen guide the application process, resulting in a convergence of natural and artistic forces, the present and ancestral past. In The Spirits That Lend Strength Are Invisible XXXVII (2024), fields of vibrant purple and earthy green mesh in a watery composition that contrasts with the sharp, geometric form of the frame visible through the poly-chiffon surface. Removing the traditional canvas offers an expanded vision of what painting can be, while the presence of the frame grounds the work in the traditions of the medium.  

  • A new series of works, the "ambient paintings," develops this inquiry in three-dimensional form, with Watts's abstractions housed in freestanding frames of Nigerian mahogany. Displayed away from the wall, the colorful transparencies are illuminated by the light entering the gallery, recalling the stained-glass windows of sacred sites, including the Southern Baptist churches of the artist's native North Carolina. Borne of a desire to further his practice beyond the common conventions of paintings and inspired by the impact of sacral architecture, the works reflect the presence of the body in the gallery, offering the viewer a heightened level of spiritual awareness.

    Contrasting the guiding forces of the "ambient paintings," a selection of works on view from the series Lapis Lazuli Trials: Chapter 1 act as forums for Watts's personal reflections. Lapis lazuli, a stone often associated with wisdom and enlightenment, produces a pigment steeped in history, known for its many uses from ancient decorative items through Renaissance paintings. Through this choice of material, Watts connects himself to artistic masters and movements of the past, while his use of the material in works he considers meditative drawings quietly upends our notions of the storied pigment.

    In the small gallery, a selection of works from Watts's Blahk on Blahk on Blak series will be on view. Beginning in 2017, the series sources imagery from video footage of excessive police violence against Black bodies, but in each instance removes the figure, prompting an inquiry into the role of the body in this footage, the impact of viewing it, and the limitations of its perceived truth in legal settings. Composed of mixed media on sheer polyester screens, the paintings expose their frame and wall behind it. Created with the stipulation that they always be exhibited on a painted black wall, the works in this series, in the artist's words, "create realities that only reveal themselves in blackness." A pivotal point in Watts's practice, the Blahk on Blahk on Blak series marks the removal of the figure in the artist's work and the commencement of his ongoing exploration of the use of physical transparency to create works that hold metaphysical space evident in the works on view in the main gallery.

    Download PDF
  • WORKS
    • Chris Watts, A Diamond Story, Part III, 2020
      Chris Watts, A Diamond Story, Part III, 2020
    • Chris Watts, A Diamond Story, Part V, 2020
      Chris Watts, A Diamond Story, Part V, 2020
    • Chris Watts, Ambient Painting V, 2024
      Chris Watts, Ambient Painting V, 2024
    • Chris Watts, I'm just different (Fire of Elijah), 2021
      Chris Watts, I'm just different (Fire of Elijah), 2021
    • Chris Watts, I’m going home (Chariot of Elijah), 2021
      Chris Watts, I’m going home (Chariot of Elijah), 2021
    • Chris Watts, The Spirits That Lend Strength Are Invisible XXXVII, 2024
      Chris Watts, The Spirits That Lend Strength Are Invisible XXXVII, 2024
    • Chris Watts, The Spirits That Lend Strength Are Invisible XXXVIII, 2024
      Chris Watts, The Spirits That Lend Strength Are Invisible XXXVIII, 2024
    • Chris Watts, The Spirits That Lend Strength Are Invisible XXXVIIII, 2024
      Chris Watts, The Spirits That Lend Strength Are Invisible XXXVIIII, 2024
    • Chris Watts, The Spirits That Lend Strength Are Invisible XXXXI, 2024
      Chris Watts, The Spirits That Lend Strength Are Invisible XXXXI, 2024
    • Chris Watts, The Spirits That Lend Strength Are Invisible XXXXII, 2024
      Chris Watts, The Spirits That Lend Strength Are Invisible XXXXII, 2024
    • Chris Watts, Untitled, 2024
      Chris Watts, Untitled, 2024
    • Chris Watts, The Spirits That Lend Strength Are Invisible XXXXIII, 2024
      Chris Watts, The Spirits That Lend Strength Are Invisible XXXXIII, 2024
    • Chris Watts, Ventana Azul III, 2024
      Chris Watts, Ventana Azul III, 2024
    • Chris Watts, Ventana Azul IV, 2024
      Chris Watts, Ventana Azul IV, 2024
    • Chris Watts, Ventana Azul VI, 2024
      Chris Watts, Ventana Azul VI, 2024
  • Installation Images

    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    • Chris Watts
      Artists

      Chris Watts

Back to exhibitions

Galerie Lelong, New York

528 West 26th Street

New York, NY 10001

T +1 212 315 0470

F +1 212 262 0624

art@galerielelong.com

Galerie Lelong, Paris

13, rue de Téhéran

75008 Paris France

T +33 1 45 63 13 19

F +33 1 42 89 34 33

info@galerie-lelong.com

Galerie Lelong, Paris

38, avenue Matignon

75008 Paris France

T +33 1 45 63 13 19

F +33 1 42 89 34 33
info@galerie-lelong.com

Facebook, opens in a new tab.
Instagram, opens in a new tab.
WeChat, opens in a new tab.
Artsy, opens in a new tab.
Manage cookies
Copyright © 2025 Galerie Lelong
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences