In Two Breasts and Two Rectangles (2023), Pinaree Sanpitak composes a restrained, meditative field where form hovers between the bodily and the abstract. Two breast-like shapes—what the artist calls “breast clouds”—float within a silvery ground. One, rendered in translucent layers of white, yellow, and pale pink, appears vaporous and diffuse. The other, drawn with fine pencil lines, carries an architectural presence, resembling a table or platform suspended in space. Above, two solid black rectangles introduce a quiet tension between geometry and softness, weight and air. With minimal means, Sanpitak conjures a sense of stillness and spatial ambiguity, offering the body as both structure and atmosphere, sensation and site.