Nancy Spero | Galerie Lelong

P.E.A.C.E., Helicopter, Mother + Children, 1968. Collection of the Minneapolis Institute of Art.

In a groundbreaking career surpassing 50 years of practice and encompassing many significant visual and cultural movements including Conceptual Art, Post-Modernism, and Feminism, Nancy Spero made the female experience central to her art and challenged aesthetic and political conventions. Spero’s lexicon was derived from an immersion in the history of images, notably from Egypt, classical antiquity, pre-history, and contemporary news media. She combined, fractured, and repurposed found imagery and adopted text to comment on contemporary and historical events such as the monstrosities of the Vietnam War, extermination of Jews during the Holocaust, and torture of women in Chile. With raw intensity, Spero executed works on paper and installations that persist as unapologetic statements against the pervasive abuse of power, Western privilege, and male dominance.
"The repetition inherent in the printing process echoes the irrepressible presence of women in history I seek to capture by combining and recombining images of women from very different historical periods and cultural contexts. Yet my intervention is not neutral history, is not fixed, it’s mutable, open to interpretation, it keeps on living by accumulating new meanings.

Now this is a very subversive idea, because it means history can be changed, power relations reversed. . . "

—Nancy Spero
The Goddess Nut II, 1990. Collection SFMOMA.

Spero’s work is held in over 50 prominent public collections worldwide including the Art Institute of Chicago, Illinois; Centre Pompidou, France; Museo Nacional Centro de Arte Reina Sofía, Spain; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Tate Gallery, England; Whitney Museum of American Art, New York; Museum of Fine Arts Boston, Massachusetts; and Dallas Museum of Art, Texas. Major monographic exhibitions of Spero’s work have been shown at renowned museums including the Museo Rufino Tamayo, Mexico; Centre Pompidou, France; Serpentine Galleries, England; Museo d’Art Contemporani de Barcelona, Museo Nacional Centro de Arte Reina Sofia, and Centro Andaluz de Arte Contemporáneo, Spain. Between 2019 and 2021, a major retrospective exhibition travelled to the Museum Folkwang, Essen, Germany; Nordic Watercolour Museum, Skärhamn, Sweden; Louisiana Museum of Modern Art, Humlebæk; and the Lillehammer Art Museum, Lillehammer, Norway. Spero’s installation Maypole: Take No Prisoners was presented in 2007 at the 52nd Venice Biennale, and later at MoMA PS1 as part of the retrospective exhibition Paper Mirror (2019).

Spero was born in Cleveland, Ohio, in 1926. She died in New York City in 2009.

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Nancy Spero, Notes in Time (1979), MoMA, New York City.
Works
Select Exhibitions
News & Events
- Events
  Galerie Lelong: Dialogues
  Nancy Spero: Woman as Protagonist with Samm Kunce and Catherine Morris 24 March 2023
- Events
  Galerie Lelong: Dialogues
  Preserving Legacies: Estates and Galleries with Philip Spero Golub, Alvin Hall, Raquel Cecilia Mendieta, and Melissa Messina 18 March 2021
Press
Publications
Nancy Spero in "Protest" - Season 4 - "Art in the Twenty-First Century" | Art21
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